contemplation bowls
each tree vessel I make responds to the time I have spent studying and connecting with a specific tree. An intimate moment, where I choose to listen to the tree’s wisdom and essence of being. Not only do the physical attributes speak to me, such as bark texture, branch formation, folds and crevices; it’s about the energy dialogue between us/
from Crab Apple trees, to Poplars, to Scotts Pine and Sequoia, the choice of exploration and understanding is endless. The variety even within each species never ceases to inspire me/
often I form the grounded base on the Potter’s Wheel, throwing stoneware clay while remembering…then I build upwards in coils, blending, pressing, cutting and folding. Coiling conjures the same concentric circles which represent a tree’s life, much like each coiled layer represents a moment in making time in my own life, in my studio/
The completed form is finished with wild clay slips which I forage from various locations on my travels. The inner space of the vessel is covered with a water tight glaze for functional use/
every tree vessel is unique, some even made incorporating woven willow and wire to suggest reaching branches; each one is marked with my signature ‘S’ on the base
contemplation bowls
each tree vessel I make responds to the time I have spent studying and connecting with a specific tree. An intimate moment, where I choose to listen to the tree’s wisdom and essence of being. Not only do the physical attributes speak to me, such as bark texture, branch formation, folds and crevices; it’s about the energy dialogue between us/
from Crab Apple trees, to Poplars, to Scotts Pine and Sequoia, the choice of exploration and understanding is endless. The variety even within each species never ceases to inspire me/
often I form the grounded base on the Potter’s Wheel, throwing stoneware clay while remembering…then I build upwards in coils, blending, pressing, cutting and folding. Coiling conjures the same concentric circles which represent a tree’s life, much like each coiled layer represents a moment in making time in my own life, in my studio/
The completed form is finished with wild clay slips which I forage from various locations on my travels. The inner space of the vessel is covered with a water tight glaze for functional use/
every tree vessel is unique, some even made incorporating woven willow and wire to suggest reaching branches; each one is marked with my signature ‘S’ on the base/