tree trunk vessels

a whisper caught in the breeze…what are the trees saying to each other? Every tree trunk vessel I make speaks to the precious time I have spent connecting with trees in a woodland/

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Tree Trunk Vessel (Tall Folded, in Woodland) By Sonya Wilkins Ceramics

I’m curious about the relationship between trees, how they form communities and support each other through the hidden mycelium network underground/

Peter Wohlleben, in his book ‘The Hidden Life of Trees’, describes how a family of trees will still nourish the stump of a felled parent tree (through the underground network), out of respect and ‘love’. Trees hold so much wisdom and learning for us – my belief is that they act as beacons of light in our world and are custodians for our planet/

each tree trunk vessel is made from several constituent parts, thrown as separate cylinders on the Potter’s Wheel and then blended together creating a column. I enjoy the unpredictability when fusing sections, welcoming off-centred alignment, listening to how the clay wants to bend and move, and honouring the tender connection I previously made in the woodland with each tree/

specific bark textures are replicated using layers of wild clay slips, oxides and glaze. Embodying the spirit of the tree is essential in this process, so I allow my ‘self’ to step aside and surrender to the intuitive flow of remembered sensations. I scratch into the surface, re-apply slip, blend, sweep more sticky slip across the surface, hold, bend, cut, scrape…it’s an interplay of many dimensions in time, past memory, present knowing/

finally, the inner space of each vessel is covered with a water tight glaze for functional use; not only is this practical, it’s also a reflective surface from which light energy can reflect upwards and outwards, acting like a ‘beacon’/

each tree trunk vessel is attuned with Reiki (universal life force energy) to raise it’s resonant frequency and then marked with my signature ‘S’ on the base/

Trio of Hawthorn Tree Trunk Vessels By Sonya Wilkins Ceramics

tree trunk vessels

view the collection

A whisper caught in the breeze… what are the trees saying to each other?

Every tree trunk vessel I make speaks to the precious time I have spent connecting with trees in woodland. I am fascinated by the relationships between trees; how they form communities, respond to one another and are connected through the largely unseen networks beneath the forest floor /

In The Hidden Life of Trees, Peter Wohlleben writes movingly about the relationships within tree communities, including instances where neighbouring trees continue to sustain the living stump of a felled tree through their interconnected root systems. He invites us to consider ideas of kinship, care and continuity within the forest. Trees hold so much wisdom and learning for us; to me, they are beacons of light in our world and custodians of the living planet /

Each tree trunk vessel is formed from several constituent parts, thrown as separate cylinders on the potter’s wheel before being joined to create a single column. I enjoy the unpredictability of this process, welcoming off-centred alignment and listening to how the clay wants to bend and move, while honouring the connection I previously made with the tree in the woodland /

Specific bark textures are built through layers of wild clay slips, oxides and glaze. Embodying something of the spirit of the tree is essential to this process, so I allow my ‘self’ to step aside and surrender to an intuitive flow of remembered sensations. I scratch into the surface, re-apply slip, blend, sweep, hold, bend, cut and scrape… an interplay between material, memory and the present moment /

Finally, the inner space of each vessel is finished with a watertight glaze, allowing the work to hold water and flowers if desired. Beyond its practical purpose, I love the way this reflective surface catches light and sends it upwards and outwards from within the vessel; another small expression of the tree as a beacon /

Each tree trunk vessel is attuned with Reiki (universal life force energy) as the final part of my making process, before being marked with my signature ‘S’ on the base /

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